Titlebook: Crossing Fandoms; SuperWhoLock and the Paul Booth Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 fan.fandom.fan studies.doc

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, Fandom: The Fandom Business,oduces the concept of “fanqueue” culture, defined as fans’ sanctioned consumerism. Tying this to ., the chapter explores a tension in fandom between fan readings and corporate readings of fan cultures. That is, fans both are reliant upon and influence the larger corporate culture guiding fandom. The

MINT

, Fandom: Bigger on the Inside,events happen outside the boundaries of Creation’s stage, at the . fan convention, fan-events dominate. This chapter explores two aspects of fandom at the convention: LobbyCon, the unofficial mingling of guest and fan, and ribbon culture, the exchange of ribbons for badges. Much like . asks fans to

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, Fandom: The Fandom Is Afoot,Sir Arthur Conan Doyle sits in an uneasy position between popular and high culture, and this chapter probes this tension through the lens of . as an example of fan hierarchies. This chapter ties the cultural hierarchies in . fandom to the economic and class hierarchies of the convention.

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Book 2016nd analysis of fan texts, .Crossing Fandoms: SuperWhoLock and the Contemporary Fan Audience. also demonstrates how fan studies in the digital age can evolve to take into account changingfan activities and texts..

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ith fans and analysis of fan texts, .Crossing Fandoms: SuperWhoLock and the Contemporary Fan Audience. also demonstrates how fan studies in the digital age can evolve to take into account changingfan activities and texts..978-1-137-57455-8

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metaphor for ongoing scholarship into contemporary fandom. .What do you get when you cross the cult shows .Doctor Who., .Supernatural., and .Sherlock.? In this book, Paul Booth explores the fan-created crossover universe known as .SuperWhoLock.—a universe where Sherlock Holmes and Dean Winchester wo

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C. C. Bernier,G. Bijiga,Y. L. Nene,R. Cousinnts an unusual case where the antagonism is neither completely directed . the text nor completely directed . the fandom. Rather, . antagonism emerges from the tension between the non-canon aspects of the corpus and the requisite fan experiences of the original three texts.