Titlebook: Cross-Cultural Connections in Crime Fictions; Vivien Miller,Helen Oakley Book 2012 Palgrave Macmillan, a division of Macmillan Publishers

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öwall and Wahlöö’s interrogation of the function and role of the individual as well as the relationship between individual and collective, both in their approach to the police procedural format, and in devising a collaborative writing voice and sensibility..

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American and Canadian contexts. The authors explore representations of race, gender, sexuality and memory, and challenge traditional categorisations of academic and professional crime writing.978-1-349-34614-1978-1-137-01676-8

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od musical. Notwithstanding Scorsese’s explicitly musical narrative and documentary films such as . (1977), . (1978), . (1987), . (2003), . (2005) and . (2008), key elements of the musical infuse all of his films well beyond the obvious factor of the use of music itself.

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The Fact and Fiction of Darwinism: The Representation of Race, Ethnicity and Imperialism in the Sheent decades. Notable examples include Gillian Beer’s . (1983), George Levine’s . (1988) and Joseph Carroll’s (2004) .. Similarly, literary scholars from Dorothy L. Sayers, in the Introduction to . (1929) to Stephen Knight in . (2004) in the early twenty-first century have examined numerous aspects of the roles and lives of fictional detectives.