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Titlebook: Critically Mediterranean; Temporalities, Aesth yasser elhariry,Edwige Tamalet Talbayev Book 2018 The Editor(s) (if applicable) and The Auth

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楼主: satisficer
发表于 2025-3-27 00:32:21 | 显示全部楼层
Heritage Washed Ashore: Underwater Archaeology and Regionalist Imaginaries in the Central Mediterranmarine contact with the past: motorized seabed trawling, archaeological and classicist scholarship, and Cold War underwater reconnaissance technologies. I argue that this interplay shaped the relationship between transnational connections and regionalist imaginaries. Objects such as the satyr decent
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Mediterranean Lyricction presents a critical digest of lyric theory in the twentieth and twenty-first centuries, and closes with a special consideration of French poetician Jean-Marie Gleize. The third and final section offers three readings of Mediterranean lyric: the translational rewriting by Habib Tengour of a fou
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Book 2018ically Mediterranean. asks how the theories and methodologies of Mediterranean studies may be brought to bear upon the modern and contemporary periods. Contributors explore how the Mediterranean informs philosophy, phenomenology, the poetics of time and space, and literary theory. Ranging from some
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Heidegger as Mediterraneanistpaintings executed there by Paul Cézanne; Greece, the homeland of philosophy; and the Mediterranean Sea as the link between the two areas. To those interpreters of Heidegger who have seen him as rooted in German soil, we offer an alternative reading, in which he is philosophically most at home on the shores of the Mediterranean.
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Lawrence Durrell’s Mediterranean Shores: Tropisms of a Receding Liney that was then just falling to pieces. Far from being a mere sensual backdrop, Durrell’s Mediterranean anchorage functions as a device—a structure that both implies an organized form and works as an informal matrix out of which an unexpected, shattering light emerges which defies language and opens up an aesthetic and philosophical enquiry.
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The Mediterranean , and , in Leïla Kilani’s and Tariq Teguia’s Filmic Workse chapter contends that confinement practices have contributed to the transformation of the Mediterranean Sea into a sea-cemetery and African cities into city-cemeteries. A study of two Moroccan films demonstrates that forced immobility has placed death at the core of an increasing number of contemporary North African filmic narratives.
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Wissenskommunismus und Wissenskapitalismuspaintings executed there by Paul Cézanne; Greece, the homeland of philosophy; and the Mediterranean Sea as the link between the two areas. To those interpreters of Heidegger who have seen him as rooted in German soil, we offer an alternative reading, in which he is philosophically most at home on the shores of the Mediterranean.
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