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Titlebook: Critical Confessions Now; Abdulhamit Arvas,Afrodesia McCannon,Kris Trujillo Book 2022 The Editor(s) (if applicable) and The Author(s), und

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,Allgemeines über Wasserkraftmaschinen,art of, a racial project: the propagation of whiteness. Looking in particular at Kent’s status as his master’s ‘true blank,’ I suggest that ‘devoted service’ is articulated in racialized terms, and thus the search for an idealized, valorized service rehearses the rhetorical and real terms of white s
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https://doi.org/10.1007/978-3-662-13412-2ased confessions that drive the plot of .. Through close attention to selected scenes from the film, this work demonstrates that casteism, a phenomenon cemented by India’s colonial past and thus reflecting the subcontinent’s neo-colonial (instead of post-colonial) reality, along with entrenched miso
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https://doi.org/10.1007/978-3-662-13416-0allows us to see our identity in an often-unfamiliar space. It also illustrates the subtleties of class in England in the later Middle Ages in important ways for those of us living in an era of similar or even greater wealth inequality. In particular, . elucidates the range of emotions and actions i
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Seasonal Climates of the Earth, of universality. In Borges’s short story ‘The Aleph,’ the narrator sees a small sphere that encapsulates all of the spaces and time of the entire world at once. Whereas conceptions of Shakespearean universality are premised on the possibilities of Shakespeare’s language, Borges affirms the limits o
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Seasonal Climates of the Earth,are the self that can potentially ‘embarrass’ the reader. Insomuch as triggers for embarrassment – what counts as excessive or inappropriate – are coded according to gendered and racialized social norms, undercurrents of embarrassment silently perpetuate the power relations behind traditional negati
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