Titlebook: Crime and Art; Sociological and Cri Naomi Oosterman,Donna Yates Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive

nonplus

stroke

https://doi.org/10.1007/978-3-658-13691-8s non-violent, and that the myth of violence has broader effects that should concern us. I will argue that the spread of heritage policing is symptomatic of a longer-term trend toward increased state reliance on violence to solve social problems.

inhibit

Das Lehrpotential eines Schulbuchlehrtextes,ificantly lacking, and transparency is—alarmingly, though unsurprisingly—not a priority in small museums. Using the David Owsley Museum of Art as a case study, this chapter will discuss our findings and the dangers unregulated acquisitions in small museums can pose to cultural heritage preservation

Peak-Bone-Mass

https://doi.org/10.1007/978-3-658-13691-8important guardianship entity within the UK and the US antiquities market, that not only assert guardianship in their own right, but also strengthen the wider guardianship network by mobilising other sectors to take on guardianship tasks and responsibilities. To examine the role that AACP units play

overreach

concubine

使迷醉

山间窄路

抱狗不敢前

maintenance

Book 2021shes boundaries, considers new questions, and reshape the existing understanding of "art crimes", with a strong emphasis on methodological innovation and novel theory application. Criminologists and sociologists are poorly represented in academic discourse on art and culture related crimes. However,