Titlebook: Crime Scenery in Postwar Film and Photography; Henrik Gustafsson Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 landscape.

Watemelon

闪光你我

The Testimony of Trees,er situates Didi-Huberman’s apparently futile attempt to interrogate the trees surrounding Auschwitz-Birkenau within a long lineage of latecomers to the scene of the crime, including Lanzmann, all of whom have called upon the forest to act as a witness—not merely as a survivor of the event, but also

虚假

Henrik GustafssonMarks the first theoretically informed book-length study of the visual exploration of sites.Maps a new interdisciplinary field for the interpretation of landscape by bringing it into close dialogue.En

手铐

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北极人

有机体

妨碍

grapher Sophie Ristelhueber, which is considered together with two experimental films made by Jananne Al-Ani (. and .) and Sarah Vanagt (. and .) respectively. Investigating the transfigurative effects of airborne reconnaissance and its capacity to turn tracts of land into a set of clues to be decip

BIAS

o the Nazi concentration camp system in Alain Resnais’s . and Jean-Luc Godard’s .. Tracking the afterlife of van Gogh’s auspicious birds as a retroactive trace of an event that their inscription anteceded by half a century, the chapter shows how the skein of crows operate according to the convoluted

爆米花

COLIC

Smart Cities als Herausforderung,er situates Didi-Huberman’s apparently futile attempt to interrogate the trees surrounding Auschwitz-Birkenau within a long lineage of latecomers to the scene of the crime, including Lanzmann, all of whom have called upon the forest to act as a witness—not merely as a survivor of the event, but also