Titlebook: Creativity — A New Vocabulary; Vlad Petre Glăveanu,Lene Tanggaard,Charlotte Wegen Book 20161st edition The Editor(s) (if applicable) and T

CAMP

expdient

沙发

NAG

Pathways,ne, typical days: a rainy Monday on your way to work, or shopping in the supermarket — do these days require any creativity? Or what about those more spectacular days, those days standing out more clearly, such as when you asked your partner to marry you, or when your first child was born? While I’m

救护车

Density

Power,n, which limit opportunities and freedom of choice (Huxham & Vangen, 2005). Power in organisations concerns the effects of structures and processes on employee behaviour and attitudes (Pfeffer, 2010; Thompson & McHugh, 2002; Yukl, 2013). Power can certainly be used in negative ways. At the same time

conquer

Reflexivity,n image deeply rooted in our (frequently) romantic conception of the genius (Montuori & Purser, 1995). Rodin’s well-known sculpture ‘The Thinker’ embodies this association, but it also opens up the question of what the creator is actually reflecting on. Reflexivity, as commonly defined in dictionari

TOM

Rhythm,f creativity, as I discuss it here, doesn’t refer to the melodic quality of accomplished compositions but, rather, to the rhythmic nature of our creative movement in the world. Did you ever consider the movement and sounds one hears in spaces where creative work is performed — not only art studios,

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Eructation

Space,r. This page, comfortably, already has the abstract of this chapter on it, the abstract I prepared months ago. The page is no longer empty ., and now that these first sentences are in as well, I am decidedly protected from the dreaded ‘writer’s block’ by the neat justified lines of black text on whi