Titlebook: Creative Hubs in Question ; Place, Space and Wor Rosalind Gill,Andy C. Pratt,Tarek E. Virani Book 2019 The Editor(s) (if applicable) and Th

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,Moral in ökonomischer Umgebung,relation to class, race and gender. Drawing on our research in London hubs, we examine whether hubs contribute to greater diversity in the CCI workforce or whether they could be said to entrench privilege. Our analysis revolves around two interrelated questions: first, we ask what contextualises and

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https://doi.org/10.1007/978-3-642-57614-0orms of eclectic genres. It argues that the actors/entrepreneurs of these hubs engage in face-to-face interactions and through Internet technologies with a diverse range of musicians overseas, forming networks transnationally. Babylon, Salon, Minimüzikhol and Peyote in the district of Beyoğlu in Ist

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https://doi.org/10.1007/978-3-642-57614-0 catching up. Kenya is the leading force in East Africa and has established some highly advanced tech enterprises, to such an extent that these places are called Silicon Savannah. iHub is one such creative, technological enterprise. Based on a qualitative study, iHub is found to influence the societ

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Wirtschaftswissenschaftliche Beiträgees, organisation and activities. Analysis frames IHB in terms of its status as social enterprise, detailing how this manifestation of ‘the hub’ idea engages individuals in debate and supports a particular idea of entrepreneurship that connects to wider of issues and urban disjuncture. The chapter ex

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Computerassistierte Wirbelsäulenchirurgieive hub. The discussion historicises the apparent recent rise of hubs by locating the argument around the creative infrastructure of Dartington Hall, Devon, founded in 1926 and still in existence. Over its history Dartington has evolved into a dynamic creative and educational community that has (sel

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R. Scholz,G. Freiherr v. Salis-Soglioment the Dutch capital saw in the 1980s. Originally built as the office for a major Dutch daily newspaper, the large building gained its prominence as a so-called breeding place (.), an idiosyncrasy of Amsterdam’s creative city policy. Now, the building has become a hotel which still has ninety stud

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Rosalind Gill,Andy C. Pratt,Tarek E. ViraniThe first sustained academic attempt to look critically at what, and how valuable, creative hubs are.Interdisciplinary and transnational material, with contributions from Estonia, Greece, Italy, Kenya