Titlebook: Creative Autonomy, Copyright and Popular Music in Nigeria; Mary W. Gani Book 2020 The Editor(s) (if applicable) and The Author(s), under e

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Mary W. GaniProvides an in-depth overview of the Nigerian music industry and Nigerian copyright law.Establishes the case for creative autonomy as an intrinsic part of copyright theory and an essential tool for su

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Book 2020s thematic support for creative autonomy and the practical ways in which the law allows singer-songwriters’ (performing authors‘) creative autonomy to be subverted in their contractual relationships with record labels. The book establishes the concept of creative autonomy for performing authors as a

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Technical and Cost Comparisons,rket, and it analyses the disputes that have plagued the legal regulation of Nigerian collecting societies. Finally, the chapter discusses the boom in the genre of Afro-Pop, also known as Afrobeats, and the international reach of the genre in the twenty-first century.

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Technical and Cost Comparisons,hts are shown to be insufficient in protecting performing authors in the pre-fixation stage, and moral rights within copyright law as ill-timed to halt assaults on the creative autonomy of performing authors.