Titlebook: Creative Agency; Dan Harris Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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书目名称Creative Agency影响因子(影响力)




书目名称Creative Agency影响因子(影响力)学科排名




书目名称Creative Agency网络公开度




书目名称Creative Agency网络公开度学科排名




书目名称Creative Agency被引频次




书目名称Creative Agency被引频次学科排名




书目名称Creative Agency年度引用




书目名称Creative Agency年度引用学科排名




书目名称Creative Agency读者反馈




书目名称Creative Agency读者反馈学科排名

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Chapter 1: Creative Ecologies,research during the time of early COVID. By combining autotheory writing, an ecological approach to thinking about creativity, and a posthuman theoretical approach to opening up the study of creativity to non-human entities, this first chapter welcomes the reader into these three interlocking orient

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Intermezzo 2: Fire,er. The year 2020 will go down in global history as a pivotal year, but like all watershed moments or periods, it does not have shape while it’s happening. While it’s happening we just focus on surviving, planning, trying to make sense from one jarring event to the next, pacing, adapting, and the mi

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Ornithologist

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Intermezzo 4: Land, visionary. Ka Lai says, I simply have to meet her, so we go. She takes me up up up to the school, which sits at the very northern part of the New Territories, at Tai Po (market) station. It is a beautiful, green, lush environment. The school is a long walk still further up from the station and is a

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Chapter 4: Hong Kong,d by the author during two visits across 2018–2019. Just preceding the anti-China protests, the performance of Hong Kong creativity narrated here says much about the character of the Hong Kong that is undergoing a new transition—not the same as British withdrawal two decades ago, but one which share

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Intermezzo 5: Water (,),ny locals, it is these manufactured elements of the site that are most iconic. But it wasn’t always this way, and for many, the water itself is still the most important focus. Since 2017 though, a new initiative draws clearer focus between Sydney’s Indigenous histories, resilience, and relation to w

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Chapter 5: Sydney,s and environmental histories and features of the area, Chap. 5 highlights the strong site-identity of Sydney both creatively and naturally, and draws connections between its international focus and its geographical and sociocultural place in Australian culture. The chapter also documents transition

斜坡

Chapter 6: Creative Agency: A Manifesto for Posthuman Creativity Studies, (mostly philosophical) canon, culminating with an argument for a more expansive, collective, and ecological posthuman creativity manifesto. The arrival and early months of puppy Hazel, the progression of COVID in Melbourne, and a background to the Creative Agency research lab all interweave to fini