Titlebook: Craft and the Creative Economy; Susan Luckman Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2015 craft.creative

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Die Wirkung des Minerva-Programms corporate planning, research and development. This shift has included (as we have seen) a growth in the aestheticisation of everyday life, the rise of recreational and lifestyle sectors of the economy, and the emergence of copyright industries as drivers of global market share. Alongside this econo

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Die Wirkung des Minerva-Programmss it the greed of “made for me”? Or is it a desire to be part of something, a need to be included in a process?’ (Montgomery 2012, p. 5). To help understand this, while increased (though progressively more central-ised) wealth is clearly a contributor here, it does not answer the question of why mon

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ERINNERUNGEN an Wolfgang Gentnerissues; in this chapter I continue and deepen this discussion by examining how the particular marketing imperatives underpinning the contemporary craft economy give rise to a whole new set of work-life negotiations. Especially in the wake of the late 1980s and the arrival on the scene of the YBAs (Y

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Die Wirkung des Minerva-Programmsidence of this everywhere. Thus, through processes of diffusion and defusion, it is more than capable of not only bringing resistance under its umbrella but in so doing actually strengthening its own hegemony. This is what he argues occurred in response to the countercultures of the 1960s which puta

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ways in which this creative sector is growing exponentially as a result of online shopfronts and home-based micro-enterprise, ‘mumpreneurialism‘ and downshifting, and renewed demand for the handmade.978-1-349-48586-4978-1-137-39968-7

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