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Titlebook: Cosmos and Character in Paradise Lost; Malabika Sarkar Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012 alchemy.epic.G

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发表于 2025-3-21 20:03:02 | 显示全部楼层 |阅读模式
书目名称Cosmos and Character in Paradise Lost
编辑Malabika Sarkar
视频video
图书封面Titlebook: Cosmos and Character in Paradise Lost;  Malabika Sarkar Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012 alchemy.epic.G
描述This book offers a fresh contextual reading of Paradise Lost that suggests that a recovery of the vital intellectual ferment of the new science, magic, and alchemy of the seventeenth century reveals new and unexpected aspects of Milton‘s cosmos and chaos, and the characters of the angels and Adam and Eve. After examining the contextual references to cabalism, hermeticism, and science in the invocations and in the presentation of chaos and Night, the book focuses on the central stage of the epic action, Milton‘s unique cosmos, at once finite and infinite, with its re-orientation of compass points. While Milton relies on the new astronomy, optics and mechanics in configuring his cosmos, he draws upon alchemy to suggest that the imagined prelapsarian cosmos is the crucible within which vital re-orientations of authority could have taken place.
出版日期Book 2012
关键词alchemy; epic; Galileo Galilei; John Milton; space; space and time; time; British and Irish Literature
版次1
doihttps://doi.org/10.1057/9781137007001
isbn_softcover978-1-349-43519-7
isbn_ebook978-1-137-00700-1
copyrightPalgrave Macmillan, a division of Nature America Inc. 2012
The information of publication is updating

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发表于 2025-3-21 20:32:41 | 显示全部楼层
Invocations: Milton as Moses,e. The unique status of the invocations as at once fictional and real, dramatic as well as autobiographical, enables Milton to use this device as a means of engaging with fundamental debates raised within the epic narrative. One of the issues constantly debated and questioned in . is that of authori
发表于 2025-3-22 04:09:35 | 显示全部楼层
,“Unoriginal Night” and Milton’s Chaos,trayal of Satan, there can be no doubt that the other significant factor that contributes to this sense of a strong beginning is his depiction of chaos. Milton’s chaos is powerful because it is enigmatic. Chaos is a dynamic entity, simultaneously a place and a person. It is evil and terrifying in it
发表于 2025-3-22 06:00:39 | 显示全部楼层
,“This Pendent World”: The Cosmos of ,d sees “fast by hanging in a golden chain / This pendent world” (2.1051–52). As readers, this is our first encounter with Milton’s new cosmos, one of the most remarkable innovations in ., and the suggestive phrase—this “pendent world”— captures the essential ambiguity in the epic poet’s imaginative
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Satan and Astronomical Signs,al phenomena that Milton works into his text at strategic points in the epic. In depicting space, time, and celestial movement, he is concerned with the larger picture, however innovative that might be. Even the specifics of celestial movement, such as the moving sunbeams, the dark cone of night, or
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发表于 2025-3-23 03:39:48 | 显示全部楼层
,Adam, Eve, and the “Virtuous Touch” of Alchemy,tic tableaux, but as evolving figures. Both as individuals and within their relationship, the representation of Adam and Eve in the epic is remarkable for its depth and complexity. Within the very brief time span of the narrative, we notice both individual characteristics that distinguish Adam and E
发表于 2025-3-23 07:20:50 | 显示全部楼层
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