Titlebook: Cosmopolitanism in Contemporary British Fiction; Imagined Identities Fiona McCulloch Book 2012 Palgrave Macmillan, a division of Macmillan

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Diverticulitis

‘The Bridge to the Stars’: Travelling Home in Philip Pullman’s and embrace a mature millennial enlightenment. Staking a claim in their own lives will empower individuals to regain the paradise of a true tangible home hitherto denied them by the dispossessing false promise of a kingdom of heaven. In imagining this vast multiverse within the rubric of children’s

不容置疑

‘Around We Go’: Transpositional Life Cycles in David Mitchell’s s transpositions as synergized interstices that accentuate ‘the positivity of difference’. Rather than traditional notions of unified identities, transpositional philosophical nomadism offers resistant subjectivities that are multiple, mutable and decentred, yet simultaneously coherently patterned.

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‘Remember You Must Live. Remember You Most Love. Remember You Must Leave’: Passing through Ali Smithological conundrums confronting the modern human condition, thus fusing a ‘relationship between storytelling, future time, and the nature of being’ (Currie 2007, p. 6). With the help of historiographic metafiction, ‘For many years, the study of narrative has been attending to the notion of the prese

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Champion

歌剧等

Cultivate

Wir verstehen uns als Service-Team,tise in this text — in her application of the body as ‘the model of government’ (Winterson 2001b, p. 175) for the Body Politic — to throw down the gauntlet to Western culture and beyond in seeking to promote a utopian land of make-believe through the equally ideal space of fiction. In doing so, she

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JOG

Max M. Habeck,Fritz Kröger,Michael Trämtructive will to power. Like Braidotti, Mitchell draws on the term’s musical and genetic inheritance to envisage alternatives to a world that spins repeatedly closer to entropic consumption, pondering ‘Is this the entropy written within our nature?’ (Mitchell 2004, p. 528).