Titlebook: Cosmopolitan Criticism and Postcolonial Literature; Robert Spencer Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limite

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Certainty

ascend

Fretful

,Late Yeats: ‘Beating upon the Wall of the Irish Free State’,g of the Irish Free State in 1922.. To be more specific, Yeats’s late work is distinctive and valuable, indeed it is one of the major heralds of the themes and forms of postcolonial writing, because it encourages its readers to prepare and express cosmopolitan perspectives.

懦夫

,J.M. Coetzee and the ‘War on Terror’,; it marks off a boundary between what is human and what is not in order to justify the infliction of pain and terror on defenceless bodies. Yet when Coetzee’s protagonist catches sight of the hammer with which Colonel Joll is about to cripple the ankles of the captives and interrupts what Samuel Du

偏离

Refuse to Choose, or, How to Read ,,n aspect of the book that is often overlooked, lately even by Rushdie himself) of the West’s cultural complacency and its unselfconscious faith in its own social, political and economic arrangements. My purpose in this chapter is to demonstrate the timeliness and effectiveness of its double-edged cr

偏离

Conclusion,leadership of the United States may have stalled or even gone into reverse, as Walden Bello has argued (2006). The Italian political economist Giovanni Arrighi has shown that ‘the new imperialism of the Project for a New American Century probably marks the inglorious end of the sixty-year long strug

Inelasticity

Toolkits for User Innovation and Design,tion and war, by social and political movements that stretch across national frontiers, by the expanding (though of course still very imperfect) reach of international law, and by the world-historical experiments in cultural mixing undertaken every day in the world’s metropolises is an unprecedented

atrophy

onlooker