Titlebook: Corpses in Belgian Anatomy, 1860–1914; Nobody’s Dead Tinne Claes Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive

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Beihilfen- und Subventionsrechtther they ended up in museums (as preserved body parts), in a grave or down the drain (as medical waste). By studying distinct ways of preservation and disposal together, this chapter sketches a multifaceted view of the fate of anatomical remains that was not necessarily disgraceful or abhorrent. Th

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Personenbezogene Gefahrenabwehrring her own research on Belgium with other national and regional cases, she argues that the decades around 1900 were a pivotal moment in the history of anatomy. Cultural, religious and personal sensibilities began to affect the treatment of the corpse in anatomy from acquisition to disposal: anatom

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978-3-030-20117-3The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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Introduction,he practices of anatomists as the pinnacle of objectification. Dismembered, dissected and conserved, deceased persons were converted into dead objects. Claes shows that this interpretation, though valuable, should be reassessed and limited in time. Around 1900, anatomists started to treat the body a

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Under the Scalpel: Dividing the Body,n the late nineteenth century. Claes shows that medical faculties solved the lack of bodies for education through a redefinition of the autopsy. The autopsy was a compromise, accommodating educational, social and scientific changes. By distinguishing autopsy from dissection, medical faculties in Bel