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Titlebook: Corpora, Corpses and Corps; A Multimodal Study o Federico Pio Gentile Book 2021 The Editor(s) (if applicable) and The Author(s), under excl

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书目名称Corpora, Corpses and Corps
副标题A Multimodal Study o
编辑Federico Pio Gentile
视频video
概述Moves towards a better appreciation of the often-invisible implications of “commodified” productions.Focuses on the Canadian scenario, offering a counterpoint to existing work on US crime series.Makes
图书封面Titlebook: Corpora, Corpses and Corps; A Multimodal Study o Federico Pio Gentile Book 2021 The Editor(s) (if applicable) and The Author(s), under excl
描述This book uses corpus and multimodal methods to present a comparative study of three major Canadian TV crime series, .Flashpoint .(2008-2010)., Motive .(2013-2015) and .19-2 .(2014-2016), paying special attention to cinematic techniques. Following an overview of the methodology and the Canadian cultural milieu of the study, the author approaches the three series as complex cultural and linguistic productions that depend heavily on a national appropriation of a genre whose popularity is growing internationally. The book investigates the verbal, nonverbal and paraverbal strategies employed by each production to create the patterns that make this genre appealing to a variety of audiences, and uncovers some of the psychological processes at work in contemporary Canadian TV crime serials. This book will be of interest to scholars in fields including Corpus Linguistics, Multimodal Studies, Canadian Studies, Media and Communication Studies, and Specialised Discourse.
出版日期Book 2021
关键词corpus linguistics; Flashpoint; Motive; 19-2; Appraisal Framework; multimodal research; Canadian culture; c
版次1
doihttps://doi.org/10.1007/978-3-030-78276-4
isbn_softcover978-3-030-78278-8
isbn_ebook978-3-030-78276-4
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerl
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Technological Foundations of WebGIS,ns of use” (Biber et al., 1998: 4). Such methodology funnels the researchers’ interests in retrieving and investigating syntax peculiarities and linguistic schemata. It tracks back main language apparatuses frequency and occurrences, and their prosodic, semantic and cultural associations of a lexica
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Advances in Science, Technology & Innovationresent the utter branches of the tree. It sucks its sap from the cultural environments and contexts bolstering its flourishing expressiveness. Therefore, iterations represent the actual . produced out of a tricky balance between the languages involved in the exchange and media. In this precise relat
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Introduction: Literary Animals, sequence to form a construction”. As a noun associated with media discourse, it defines “a story or a play appearing in regular instalments on television or radio or in a magazine” (ibid.). Subsequently, the development of a single and consolidated behaviour or pattern is in slight contrast with th
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Introduction: Literary Animals,cultural- and linguistic-adaptive because of its narrative. The terminological point of view is also fundamental, as it emerges already in the title. On the one hand, such a televised product distinguishes itself from the other two shows described in Chaps. . and . since its format was not born as a
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Look! A Squirrel!: Animals Writing,hree main televised products—all observed by their respective third seasons—attributable to the Canadian seriality of crime drama/police fiction: . (., 2008–2010; Chap. . 3), . (., 2013–2015; Chap. .), 19.2 (., 2014–2016; Chap. .). The said diverse types of broadcast have immediately displayed their
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Introduction,ities are the only things that matter. The cooperative (or non-cooperative) receiver’s attitude would work for the essential information apprehension to exploit the interaction fully (Scott-Phillips, 2015). Nonetheless, fundamental studies on language systems strongly underpin the human codes’ more complex structure (ibid.).
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