Titlebook: Copp’d Hills Towards Heaven Shakespeare and the Classical Polity; Howard B. White Book 1970 Martinus Nijhoff, The Hague, Netherlands 1970

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https://doi.org/10.1007/978-1-4039-1914-4 tragedy is the highest art form and second that life is essentially tragic. The second opinion may include the first; the first need not necessarily include the second. Let us begin with the less comprehensive belief, that the play is the highest art form and that, of all plays, tragedy is the highest.

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The Decay of the Polity: Timon,eus. The presence of Alcibiades in the cast might help us to fix the internal chronology of the play. Historical inversions are so common in Shakespeare, however, that we probably could not do even that. Timon is entirely surrounded by flatterers. Though Timon is a philanthropist, he is an unthinkin

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The Blind Mole,the name to Pericles. Pericles of Tyre was not Pericles of Athens, but the association of the names appears to be deliberate. It is not possible, as far as I know, to fix the date when the story is supposed to take place, but the evidence of the play suggests that it is some time when Antioch was a

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Of Wonder,he problem that is posed is certainly a Shakespearean problem. One is compelled to reflect on the significance of wonder, and the nature of wonder in two very different plays: . and .. In the former, the atmosphere of wonder is that in which the play ends. The stage is littered with bodies. All the

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The Ascent of the Soul,that is, that the interpretations presented in the preceding chapters warrant a general conclusion. Two general and rather widespread beliefs are that tragedy is the highest art form and second that life is essentially tragic. The second opinion may include the first; the first need not necessarily

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