Titlebook: Contesting Genres in Contemporary Asian American Fiction; Betsy Huang Book 2010 Betsy Huang 2010 America.fiction.migrant

Insularity

书目名称Contesting Genres in Contemporary Asian American Fiction影响因子(影响力)




书目名称Contesting Genres in Contemporary Asian American Fiction影响因子(影响力)学科排名




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书目名称Contesting Genres in Contemporary Asian American Fiction网络公开度学科排名




书目名称Contesting Genres in Contemporary Asian American Fiction被引频次




书目名称Contesting Genres in Contemporary Asian American Fiction被引频次学科排名




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书目名称Contesting Genres in Contemporary Asian American Fiction年度引用学科排名




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书目名称Contesting Genres in Contemporary Asian American Fiction读者反馈学科排名

pulmonary-edema

向外

繁忙

Conclusion: The Genre is the Message, the President cannot couch his vision, his policies, his courage, his will, his plan in the idiom of story.” He goes on to conclude that “ideas are wonderful things, but unless they’re couched in a good story they can do nothing.”

群居动物

modish

Reorientations,gaged in a parallel discourse about the roles Asia and Asians will play in Western conceptions of the future.. It has long entertained this question in explicit and implicit ways through Orientalist figurations that cast Asian culture and people as either oppressively collectivist or singularly iniquitous.

modish

Bumble

Fabrizio Formati,Elena Laudante,Mario Buonong; after all, almost all literary productions by Asian Americans, fiction and nonfiction alike, are presumed to carry an immigrant theme until proven otherwise. The infusion of the spy thriller genre into immigrant fiction, however, gave the latter a fresh angle and a new set of tropes with which to tell a familiar story.

Limousine

黑豹

,Introduction: “Generic” Asian Americans?,s of praise bestowed and scholarship produced on the novel, the imaginative combination of the immigrant novel with the spy thriller is singled out as one of the novel’s most distinctive qualities. Yet it was marketed as an immigrant novel. That . is marketed primarily as such should not be surprisi