Titlebook: Contemporary Women’s Post-Apocalyptic Fiction; Susan Watkins Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive li

NAG

Working with Behavioral Modeling, introduction then situates contemporary women’s post-apocalyptic writing in a number of different histories, including the utopian and dystopian tradition, before focusing closely on a comparison of Margaret Atwood’s . (1985) and Octavia Butler’s . (1987) as foundational texts within the genre.

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Sied Mehdi Fakhraie,Kenneth Carless Smithiz Jensen’s . (2009). The sequel functions, the chapter argues, to generate a state of suspension, proliferation or process that questions conventional conceptualisations of time, narrative and history.

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Metal-Ion—Ligand Redox Reactionsnovels, . (1993) and . (1998) and Nicola Barker’s . (2017), three post-apocalyptic novels that closely address the connections between spirituality, writing, digital forms of culture, gender and also, in the case of Butler, issues of race and nation.

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Introduction: Rewriting and Transforming Traditions, introduction then situates contemporary women’s post-apocalyptic writing in a number of different histories, including the utopian and dystopian tradition, before focusing closely on a comparison of Margaret Atwood’s . (1985) and Octavia Butler’s . (1987) as foundational texts within the genre.

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Working with Behavioral Modeling,e informed the trend towards apocalyptic fiction in the contemporary moment. However, the gender blindness of much of the work in this field is also noted. The genres (including dystopia, science fiction and speculative fiction) in which post-apocalyptic fiction can be placed are then discussed. The

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