Titlebook: Contemporary Women‘s Poetry and Urban Space; Experimental Cities Zoë Skoulding Book 2013 The Editor(s) (if applicable) and The Author(s) 20

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Book 2013This book focuses on the role of the city, and its processes of mutual transformation, in poetry by experimental women writers. Readings of their work are placed in the context of theories of urban space, while new visions of the contemporary city and its global relationships are drawn from their innovations in language and form.

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RONDO or a Theme on Variations,tionship with urban space the perceptions and practices of women writers have on the whole been less visible than those of their male counterparts. This book examines poetry as a framing of attention through which contemporary women writers approach not only perception in the city but also political

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Design Verification and Testbench,s, provide an understanding of the different ways in which a poem may be said to be ‘about’ a city, or otherwise responsive to urban experience. A poem may mention particular addresses in a city, but it may also enact forms of address, placing less emphasis on static representation than on engagemen

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Design Verification and Testbench,is often introduced in the UK with reference to her two late husbands, Ted Berrigan and Douglas Oliver. However, she has described one of her goals as being to take up ‘as much literary space as any male poet’ (Notley, 2005, p. vi), and this chapter will discuss her poetry’s exploration not only of

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VHDL Answers to Frequently Asked Questionsk is firmly centred within the localities of the northern English cities in which most of her work has been written. Monk, originally from Lancashire, has lived in Sheffield, Yorkshire, for many years, and this city provides the focus for the poems I will discuss later in this chapter. However, it i