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Titlebook: Contemporary Latin American Cinema; Resisting Neoliberal Claudia Sandberg,Carolina Rocha Book 2018 The Editor(s) (if applicable) and The Au

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New Geographies of Class in Mexican and Brazilian Cinemas: , and ize the aesthetic and affective dimensions of these films by applying Doreen Massey’s relational conceptualization of space to the films’ spatial explorations. Under this critical lens, the films belong to an emerging . (middle-class cinema) in Latin America where neoliberal social segregation translates into cinematographic distinctions.
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Negotiating Neoliberal Demands on Contemporary Cinema: The Role and Influence of the Socially Commits—., .—in terms of their critical, commercial and funding success both within and beyond national borders. Crucially, it asks whether a deeper understanding of the role of the producer might reveal an alternative way of negotiating the evolving relationships, tensions and power dynamics between Latin American cinema and global markets.
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Between Armed Conflict, Social Awareness and the Neoliberal Market: The Case of an instrument of social engagement and awareness. The chapter also draws attention to the use of audiovisual tools as pedagogical and communicative strategies to strengthen community networks amid armed conflict.
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Community Film in Southern Greater Buenos Aires: Emerging Voices and the Economy of Film as Resistanese collectives were formed as civil society organizations that gathered filmmakers, producing audiovisual projects in which horizontality and networks function as production strategies to fight the monopolizing impact of neoliberalism on culture and communication.
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exhibition and consumption that shape and influence the Latin American filmscape. Through industry studies, reception analyses and close readings, thisbook establishes an informative and accessible text for scholars and students alike..978-3-030-08347-2978-3-319-77010-9
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