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Titlebook: Contemporary Italian Narrative and 1970s Terrorism; Stranger than Fact David Ward Book 2017 The Editor(s) (if applicable) and The Author(s)

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发表于 2025-3-21 17:52:07 | 显示全部楼层 |阅读模式
书目名称Contemporary Italian Narrative and 1970s Terrorism
副标题Stranger than Fact
编辑David Ward
视频videohttp://file.papertrans.cn/237/236565/236565.mp4
概述Represents the first comprehensive account of the engagement with 1970s terrorism in contemporary Italian literature.Introduces English readers to key issues in current Italian Studies criticism.Makes
丛书名称Italian and Italian American Studies
图书封面Titlebook: Contemporary Italian Narrative and 1970s Terrorism; Stranger than Fact David Ward Book 2017 The Editor(s) (if applicable) and The Author(s)
描述This book is about literary representations of the both left- and right-wing Italian terrorism of the 1970s by contemporary Italian authors. In offering detailed analyses of the many contemporary novels that have terrorism in either their foreground or background, it offers a “take” on postmodern narrative practices that is alternative to and more positive than the highly critical assessment of Italian postmodernism that has characterized some sectors of current Italian literary criticism. It explores how contemporary Italian writers have developed narrative strategies that enable them to represent the fraught experience of Italian terrorism in the 1970s. In its conclusions, the book suggests that to meet the challenge of representation posed by terrorism fiction rather than fact is the writer’s best friend and most effective tool.
出版日期Book 2017
关键词Trauma; Politics; Cultural representation; Aesthetics; Reality; postmodern literature
版次1
doihttps://doi.org/10.1007/978-3-319-46648-4
isbn_softcover978-3-319-83554-9
isbn_ebook978-3-319-46648-4Series ISSN 2635-2931 Series E-ISSN 2635-294X
issn_series 2635-2931
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
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发表于 2025-3-21 21:18:59 | 显示全部楼层
Contemporary Italian Narrative and 1970s TerrorismStranger than Fact
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Introduction, or so years massive scholarly attention from a variety of perspectives has been given to Italian terrorism. Historians, political scientists, psychologists, anthropologists, practitioners of cultural studies, as well as literary authors, filmmakers and dramaturgs (some of whom this study will exami
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Stranger than Fact, in his own father’s death at the hands of the Nazis, and who has a son accused of terrorist offences, notes that the “highly figurative language [of the novel] has the effect of covering up the realistic referents.” He goes on to say: “we may ask ourselves if this kind of [highly figurative writing
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Ultrathin Magnetic Structures IV., history of the Red Brigades, the Piazza Fontana bomb, and so on, but as Cinzia Venturelli’s bibliography of studies dedicated to terrorism shows, significantly titled in the plural as ., most of them have been published only since 2000..
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