Titlebook: Contemporary Irish Republican Prison Writing; Writing and Resistan Lachlan Whalen Book 2007 Lachlan Whalen 2007 aesthetics.women.writing.Br

Rodent

,“Comrades in the Dark”: Writing in the H Blocks, 1976–1981,o were composing their texts in the H Blocks between 1976 and 1981. Like many texts written during incarceration, the space of the prison intrudes, the fearful interior of Castlereagh interrogation center standing in stark opposition to the beauty of the natural world exterior to jail walls. Indeed,

vitrectomy

斑驳

white-matter

,Postscript: “You Look Like Jesus Christ”: Images of Republican POWs in Contemporary Cinema,the Blanket and No-Wash Protests for political status in the H Blocks. Though his reputation precedes him as officer commanding (OC) of the Republican prisoners in the H Blocks, Sands’s scraggly beard and long hair make him unrecognizable to Gerard. “Do I look that bad?” Sands asks his new cellmate

jet-lag

,“Our Barbed Wire Ivory Tower”: The Cages of Long Kesh,hem to disobey and alter the structure of their own political and paramilitary organizations both inside and outside prison. The conflict for incarcerated Republicans has never been that of a simple binary opposition between the British and the Irish, but rather an interlocking system of power relat

Immobilize

舔食

20th Century Urbanization in China,hem to disobey and alter the structure of their own political and paramilitary organizations both inside and outside prison. The conflict for incarcerated Republicans has never been that of a simple binary opposition between the British and the Irish, but rather an interlocking system of power relat

使声音降低

https://doi.org/10.1007/978-981-13-0881-9ith ascertaining the manner and extent to which the space of incarceration shapes the literary production that takes place within it. Distance, time, and greater freedom to write and revise often obscure the traces of incarceration present in both subject and form, particularly in works such as the

obviate

Book 2007As it traces the textual history of the works of authors like Bobby Sands and Gerry Adams, this book analyses Republican resistance to disciplinary structures, demonstrating the ways in which prisoners appropriate space through discursive strategies.

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