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Titlebook: Contemporary Indian Dance; New Creative Choreog Ketu H. Katrak Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 201

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书目名称Contemporary Indian Dance
副标题New Creative Choreog
编辑Ketu H. Katrak
视频video
丛书名称Studies in International Performance
图书封面Titlebook: Contemporary Indian Dance; New Creative Choreog Ketu H. Katrak Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited 201
描述Through discussion of a dazzling array of artists in India and the diaspora, this book delineates a new language of dance on the global stage. Myriad movement vocabularies intersect the dancers‘ creative landscape, while cutting-edge creative choreography parodies gender and cultural stereotypes, and represents social issues.
出版日期Book 2011
关键词Indian dance; international performance; bibliography; dance; dancing; gender; India; stage; Tradition
版次1
doihttps://doi.org/10.1057/9780230321809
isbn_softcover978-1-137-47240-3
isbn_ebook978-0-230-32180-9Series ISSN 2947-4949 Series E-ISSN 2947-4957
issn_series 2947-4949
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2011
The information of publication is updating

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Contemporary Indian Dance978-0-230-32180-9Series ISSN 2947-4949 Series E-ISSN 2947-4957
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2947-4949 e. Myriad movement vocabularies intersect the dancers‘ creative landscape, while cutting-edge creative choreography parodies gender and cultural stereotypes, and represents social issues.978-1-137-47240-3978-0-230-32180-9Series ISSN 2947-4949 Series E-ISSN 2947-4957
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https://doi.org/10.1057/9780230321809Indian dance; international performance; bibliography; dance; dancing; gender; India; stage; Tradition
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978-1-137-47240-3Palgrave Macmillan, a division of Macmillan Publishers Limited 2011
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International Criminal Justice Seriesnd underscores the need for the kind of “context-sensitive” analysis that he recommends. The presence of British colonizers and Indian nationalists provide a similar set of contexts within which the place and position of Indian classical dance should be viewed. Doing so highlights a key paradox: soc
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Universal Service in WTO and EU laweers in following this style in their nearly four-decade long careers. Today, Deboo’s name is synonymous with Contemporary Indian Dance, “a dance theatre style of his own which successfully assimilates Indian and Western techniques.”. However, for a long time after the start of his career in 1960, A
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