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Titlebook: Contemporary Film Music; Investigating Cinema Lindsay Coleman,Joakim Tillman Book 2017 The Editor(s) (if applicable) and The Author(s) 2017

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发表于 2025-3-21 16:57:51 | 显示全部楼层 |阅读模式
书目名称Contemporary Film Music
副标题Investigating Cinema
编辑Lindsay Coleman,Joakim Tillman
视频videohttp://file.papertrans.cn/237/236482/236482.mp4
概述Brings together practitioner and theorist.Features interviews with 8 major film composers including Mychael Danna and A.R. Rahman.Explores the contemporary influence of electronic music, issues surrou
图书封面Titlebook: Contemporary Film Music; Investigating Cinema Lindsay Coleman,Joakim Tillman Book 2017 The Editor(s) (if applicable) and The Author(s) 2017
描述The purpose of this book, through its very creation, is to strengthen the dialogue between practitioner and theorist. To that end, a film academic and musicologist have collaborated as editors on this book, which is in turn comprised of interviews with composers alongside complementary chapters that focus on a particular feature of the composer’s approach or style. These chapters are written by a fellow composer, musicologist, or film academic who specializes in that element of the composer’s output. In the interview portions of this book, six major film composers discuss their work from the early 1980s to the present day: Carter Burwell, Mychael Danna, Dario Marianelli, Rachel Portman, Zbigniew Preisner, and A.R. Rahman. The focus is on the practical considerations of film composition, the relationship each composer has with the moving image, narrative, technical considerations, personal motivations in composing, the relationships composers have with their directors, and their own creative processes. .Contemporary Film Music. also explores the contemporary influence of electronic music, issues surrounding the mixing of soundtracks, music theory, and the evolution of each composer’
出版日期Book 2017
关键词cinema; composition; film music; music; A; R Rahman; John Williams; Mychael Danna; orchestration techniques
版次1
doihttps://doi.org/10.1057/978-1-137-57375-9
isbn_ebook978-1-137-57375-9
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
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T. A. M. Teunissen,A. L. M. Lagro-Janssenand essays about particular features of those composers’ work. In the interviews the focus is on the practical considerations of film composition, the relationships each composer has with the moving image, technical considerations, personal motivations in composing, the relationships composers have
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Hevig menstrueel bloedverlies en myomenyses five of Rahman’s scores: two collaborations with Tamil director Mani Ratnam, (., 1992 and ., 1995), one collaboration with Indian-Canadian director Deepa Mehta (., 1996), and two collaborations with Danny Boyle (., 2008 and ., 2010). These films together represent important aspects of Tamil, Hi
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Communicating uncertainty to policy makersationships have varied over the years. Preisner talks about the challenges of capturing a film’s tone in its music, a particular example being his work on the film . (1992). There is also a discussion of how music reinforces themes and aids in characterization in the films of Kieślowski, specificall
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Up from Clinical Epidemiology & EBMa, his relationship with Howard Shore, the importance of ambient sound to his scores, the depiction of sexuality through music, and how Steven Spielberg producing . (2010) forced him to rethink some of his cues.
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Up from Clinical Epidemiology & EBMoint of view struck in the score for . (1999) is more that of the character Dr Larch than the film’s presumptive hero Homer. She discusses how she goes about chord formations for her scores, and also goes into a quite detailed discussion of how her creative process as a composer works.
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