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Titlebook: Contemporary Fiction and the Ethics of Modern Culture; Jeffrey Karnicky Book 2007 Jeffrey Karnicky 2007 culture.fiction.novel

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楼主: purulent
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Gilberto Poggioli,Matteo Rottolifuck all tae us” (87). Both Blanchot’s writer and Welsh’s junky strive for an all-encompassing silence, a complete shutdown of any and all forms of exteriority. Yet, if one reads Blanchot and Welsh through the murmur of Deleuze, it is precisely this desire to cut off the world that leads to a means of engagement with the world’s otherness.
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,Silence Junkies: Irvine Welsh’s Novel Subjectivities,fuck all tae us” (87). Both Blanchot’s writer and Welsh’s junky strive for an all-encompassing silence, a complete shutdown of any and all forms of exteriority. Yet, if one reads Blanchot and Welsh through the murmur of Deleuze, it is precisely this desire to cut off the world that leads to a means of engagement with the world’s otherness.
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Contemporary Fiction and the Ethics of Modern Culture
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https://doi.org/10.1007/978-88-470-2742-8tual attention that is oblivious to the social, historical, and material conditions of literary production. In short, reading is no longer hip. Worse, mentions of such concepts as “response” and “ethics of reading” may throw up warning signs for many a reader fearful of a nostalgic return to such 19
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Introduction: Assembling an Ethics of Reading,tual attention that is oblivious to the social, historical, and material conditions of literary production. In short, reading is no longer hip. Worse, mentions of such concepts as “response” and “ethics of reading” may throw up warning signs for many a reader fearful of a nostalgic return to such 19
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Kinds of Stasis in David Foster Wallace,cal note. Wallace’s novel takes great pains to establish these films as “real”: characters talk about and watch the films; plot and thematic summaries are discussed and argued; debates rage about the “meaning” of Incandenza’s films; various critical articles about the films are cited.
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