Titlebook: Contemporary Diasporic South Asian Women‘s Fiction; Gender, Narration an Ruvani Ranasinha Book 2016 The Editor(s) (if applicable) and The A

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书目名称Contemporary Diasporic South Asian Women‘s Fiction影响因子(影响力)




书目名称Contemporary Diasporic South Asian Women‘s Fiction影响因子(影响力)学科排名




书目名称Contemporary Diasporic South Asian Women‘s Fiction网络公开度




书目名称Contemporary Diasporic South Asian Women‘s Fiction网络公开度学科排名




书目名称Contemporary Diasporic South Asian Women‘s Fiction被引频次




书目名称Contemporary Diasporic South Asian Women‘s Fiction被引频次学科排名




书目名称Contemporary Diasporic South Asian Women‘s Fiction年度引用




书目名称Contemporary Diasporic South Asian Women‘s Fiction年度引用学科排名




书目名称Contemporary Diasporic South Asian Women‘s Fiction读者反馈




书目名称Contemporary Diasporic South Asian Women‘s Fiction读者反馈学科排名

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Globalisation, Labour, Narrative and Representation in Arundhati Roy, Monica Ali and Kiran Desai,hat Desai’s non-linear, elaborately structured narrative shares a related intervention to stretch the possibilities of realist fiction to capture the plight of those disenfranchised by the economic operations of globalisation. As Desai observes, ‘In a world obsessed with national boundaries and belo

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Einleitung und Gang der Untersuchung,blished writers such as Roy (b. 1961, India) and in comparison to lesser-known diasporic women writers, including Sorayya Khan (b. 1967, Pakistan/Netherlands/USA), Uzma Aslam Khan (b. 1969, Pakistan/UK/USA), Roma Tearne (b. 1954, Sri Lanka/UK), Roshi Fernando (b. 1966, Sri Lanka/UK) and V.V. Ganesha

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Introduction,es primarily on Kiran Desai (b. 1971, India/UK/USA), Tahmima Anam (b. 1975, Bangladesh/USA/UK), Monica Ali (b. 1967, Bangladesh/UK), Kamila Shamsie (b. 1973, Pakistan/USA/UK) and Jhumpa Lahiri (b. 1967, USA/India/Italy). This new wave of diasporic anglophone South Asian feminist fiction writers came