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Titlebook: Contemporary Crisis Fictions; Affect and Ethics in Emily Horton Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 20

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发表于 2025-3-21 18:02:37 | 显示全部楼层 |阅读模式
书目名称Contemporary Crisis Fictions
副标题Affect and Ethics in
编辑Emily Horton
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图书封面Titlebook: Contemporary Crisis Fictions; Affect and Ethics in Emily Horton Book 2014 Palgrave Macmillan, a division of Macmillan Publishers Limited 20
描述This book offers a significant statement about the contemporary British novel in relation to three authors: Graham Swift, Ian McEwan, and Kazuo Ishiguro. All writing at the forefront of a generation, these authors sought to resuscitate the novel‘s ethico-political credentials, at a time which did not seem conducive to such a project.
出版日期Book 2014
关键词Crisis; Fiction; Literature and ethics; Contemporary Literature; British novel; culture; fiction; history o
版次1
doihttps://doi.org/10.1057/9781137350206
isbn_softcover978-1-349-46830-0
isbn_ebook978-1-137-35020-6
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2014
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Curiosity and Civilisation: Reappraisals of History in the Fiction of Graham Swift,one had even thought might be possible. A deep stratum of solidarity between all that bears a human countenance was touched here. […] Auschwitz has altered the conditions for the continuity of historical life-connections — and not only in Germany’ (Habermas, 1989, pp. 251–252).
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Shifting Perspectives and Alternate Landscapes: Culture and Cultural Politics in the Fiction of Kazmic literary criticism, which according to the author Kazuo Ishiguro, helped to prompt his own rise to fame with the novel . in 1982 (see Vorda and Herzinger, 1991, p. 135). In addition to being short-listed for the Booker that year, Ishiguro became one of several authors reclaimed for their contrib
发表于 2025-3-22 16:06:33 | 显示全部楼层
Epilogue,s explored within contemporary British fiction, to acknowledge a new understanding of British fiction’s relationship to postmodernism made available through changing literary and literary critical paradigms, and to recognise the central importance of these writers’ fictions in carving out a new post
发表于 2025-3-22 18:41:02 | 显示全部楼层
Reassessing the Two-Culture Debate: Popular Science in the Fiction of Ian McEwan, new public intellectuals, leaders of a new kind of public culture’ (Brockman, 2002, p. xiii). Unlike the ‘old-style intellectual culture’ of elitism in the arts, the new culture of science is ‘transform[ing] its own premises as fast as our technologies are transforming us’ (Brockman, 2002, p. v).
发表于 2025-3-22 23:56:54 | 显示全部楼层
https://doi.org/10.1007/978-3-8348-9102-0 from the seventies onwards, essays and reviews on their fiction have appeared regularly in literary magazines and journals, including . and .. All have also been recipients of numerous literary prizes, including the prestigious Booker Prize: Ishiguro for . in 1989; Swift for . in 1996; McEwan for . in 1998.
发表于 2025-3-23 03:05:54 | 显示全部楼层
,SAP BI als Lösungsansatz der SAP AG,s, while on the one hand Pico Iyer saw Ishiguro at the heart of this new literary movement, as ‘a nowhere man’ whose ‘transcontinental tribe of wanderers is growing, global souls for whom home is everywhere and nowhere’ (Iyer, 1997, n.p.), on the other hand, his depiction of this internationalist phenomenon is notably banal:
发表于 2025-3-23 06:14:51 | 显示全部楼层
Introduction, from the seventies onwards, essays and reviews on their fiction have appeared regularly in literary magazines and journals, including . and .. All have also been recipients of numerous literary prizes, including the prestigious Booker Prize: Ishiguro for . in 1989; Swift for . in 1996; McEwan for . in 1998.
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