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Titlebook: Consuming Cultural Hegemony; Bollywood in Banglad Harisur Rahman Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive

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发表于 2025-3-21 19:18:27 | 显示全部楼层 |阅读模式
书目名称Consuming Cultural Hegemony
副标题Bollywood in Banglad
编辑Harisur Rahman
视频video
概述Repositions Bangladesh in the South Asian cultural scene and contributes new knowledge, perspectives, and understandings about cultural consumption and India’s regional hegemonic power and its relatio
图书封面Titlebook: Consuming Cultural Hegemony; Bollywood in Banglad Harisur Rahman Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive
描述.This book examines the circulation and viewership of Bollywood films and filmi modernity in Bangladesh. The writer poses a number of fundamental questions: what it means to be a Bangladeshi in South Asia, what it means to be a Bangladeshi fan of Hindi film, and how popular film reflects power relations in South Asia. The writer argues that partition has resulted in India holding hegemonic power over all of South Asia’s nation-states at the political, economic, and military levels–a situation that has made possible its cultural hegemony. The book draws on relevant literature from anthropology, sociology, film, media, communication, and cultural studies to explore the concepts of hegemony, circulation, viewership, cultural taste, and South Asian cultural history and politics. .                 .
出版日期Book 2020
关键词Bangladeshi Cinema; Bollywood; Cultural Subscription; Media Materiality; Regional Hegemony; Soft Power
版次1
doihttps://doi.org/10.1007/978-3-030-31707-2
isbn_softcover978-3-030-31709-6
isbn_ebook978-3-030-31707-2
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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发表于 2025-3-21 22:13:38 | 显示全部楼层
From Partition to Hegemony: Bangladesh and Bangladeshi Films in the South Asian Context, in Dhaka were not seen as problematic or hegemonic. Soon after partition, India’s films in Pakistan began to be treated as foreign films and taxes were imposed on them. Following the Indo-Pakistan war of 1965, the Pakistani government imposed a ban on Indian films. With the creation of Bangladesh, the ban was re-imposed, and it continues today.
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发表于 2025-3-22 10:21:58 | 显示全部楼层
Book 2020 sociology, film, media, communication, and cultural studies to explore the concepts of hegemony, circulation, viewership, cultural taste, and South Asian cultural history and politics. .                 .
发表于 2025-3-22 16:32:22 | 显示全部楼层
发表于 2025-3-22 17:17:22 | 显示全部楼层
umption and India’s regional hegemonic power and its relatio.This book examines the circulation and viewership of Bollywood films and filmi modernity in Bangladesh. The writer poses a number of fundamental questions: what it means to be a Bangladeshi in South Asia, what it means to be a Bangladeshi
发表于 2025-3-22 23:15:24 | 显示全部楼层
https://doi.org/10.1007/978-3-658-11609-5 in Dhaka were not seen as problematic or hegemonic. Soon after partition, India’s films in Pakistan began to be treated as foreign films and taxes were imposed on them. Following the Indo-Pakistan war of 1965, the Pakistani government imposed a ban on Indian films. With the creation of Bangladesh, the ban was re-imposed, and it continues today.
发表于 2025-3-23 03:42:16 | 显示全部楼层
Warum Mehr Armut in Deutschland?d power. The representation of Bangladeshi history in Indian films and the circulation of Indian films via theatrical means sometimes collide with Bangladeshi nationalist discourses and the economic interests of various groups.
发表于 2025-3-23 08:10:02 | 显示全部楼层
ny. The book draws on relevant literature from anthropology, sociology, film, media, communication, and cultural studies to explore the concepts of hegemony, circulation, viewership, cultural taste, and South Asian cultural history and politics. .                 .978-3-030-31709-6978-3-030-31707-2
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