Titlebook: Consumerism, Romance and the Wedding Experience; Sharon Boden Book 2003 Palgrave Macmillan, a division of Macmillan Publishers Limited 200

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https://doi.org/10.1057/9780230005648consumption; culture; dynamics; emotion; marriage; media; research; transformation

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The Wedding Fantasy: Consuming Emotions on the Big Day,ke to be the typical wedding narrative, following the chronology of events related to me by brides and grooms. Formative stages here, as we shall see, include the last few days and hours of preparation, the wedding morning, the final transformation into the bride, the ceremony and the reception speech.

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Werkzeuge zur Werteverankerung,ngland and Wales. This Act was both a symptom and a source of wider underlying changes in society and in intimate relationships. The basic legal requirements necessary for a marriage to take place are certainly far removed from the catalogue of artifacts and rituals that now constitute the contempor

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Unternehmenskauf in der Steuerpraxistionality as key dimensions of wedding consumption. As a context setting exercise, I begin by highlighting the scale and scope of the wedding industry in an international context. Two types of media are then analysed as evidence of the development of a wedding consumer culture in Britain. First, I d

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Unternehmerisches Währungsmanagement a romantic and sexual relationship than the confirmation of one that already exists. Moreover, at the same time divorce is prevalent in British society, a wedding industry continues to boom, with the average consumptive expenditure on the big day at an unprecedented high level. It is with this appa