Titlebook: Constructing Gender in Medieval Ireland; Sarah Sheehan,Ann Dooley Book 2013 Sarah Sheehan and Ann Dooley 2013 gender.Medieval Literature.w

照相机

书目名称Constructing Gender in Medieval Ireland影响因子(影响力)




书目名称Constructing Gender in Medieval Ireland影响因子(影响力)学科排名




书目名称Constructing Gender in Medieval Ireland网络公开度




书目名称Constructing Gender in Medieval Ireland网络公开度学科排名




书目名称Constructing Gender in Medieval Ireland被引频次




书目名称Constructing Gender in Medieval Ireland被引频次学科排名




书目名称Constructing Gender in Medieval Ireland年度引用




书目名称Constructing Gender in Medieval Ireland年度引用学科排名




书目名称Constructing Gender in Medieval Ireland读者反馈




书目名称Constructing Gender in Medieval Ireland读者反馈学科排名

哪有黄油

美食家

novelty

,Looking for “Mr. Right” in ,,early version to the late ninth or tenth century, noting that the language is early Middle Irish.. She assigns the later version to “the end of the twelfth century, perhaps later.”. As she notes, Version II omits some episodes and poems, and focuses more on plot and action than Version I; less chari

鲁莽

,Playing for Power: Macha Mongrúad’s Sovereign Performance,figure onto the text he stands proudly beside, the Irish-language version of Patrick Pearse’s 1912 poem that opens, “Mise Eire: Sine me na an chailleach béara” [I am Ireland: I am older than the Old Woman of Beare].. Invoking the ., the “Hag” or “Old Woman” of Béara, a sovereignty figure first descr

形状

形状

mortgage

CLAIM

implore

Speaking with Forked Tongues: Gender and Narrative in the ,,f Irish narrative, blending as it does hundreds of tales and poems inside a narrative frame of considerable sophistication.. This frame brings together the tradition of increasingly popular Fenian tales—already at this period in the process of being formed into a major narrative cycle—and the presti