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Titlebook: Conservative Belief and the Imagination in Kipling’s Fiction; Mark Paffard Book 2023 The Editor(s) (if applicable) and The Author(s), unde

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发表于 2025-3-21 16:57:14 | 显示全部楼层 |阅读模式
书目名称Conservative Belief and the Imagination in Kipling’s Fiction
编辑Mark Paffard
视频video
概述Examines the entirety of Kipling‘s fictional oeuvre.Explores the process of literary production in Kipling‘s work, providing insight into its literary appeal.Offers a complex reading of Kipling‘s fict
图书封面Titlebook: Conservative Belief and the Imagination in Kipling’s Fiction;  Mark Paffard Book 2023 The Editor(s) (if applicable) and The Author(s), unde
描述.This book explores the tension between the conservatism and the imaginative process across the entirety of Rudyard Kipling’s fiction. It shows how Kipling the conservative thinker explores problematic aspects of Empire and the English class-system, both because it is unavoidable and because his art requires it. This tension is evident in the Indian and ‘Imperial’ Kipling and in his later ‘English’ stories. Situating Kipling’s fiction within changing social and political contexts, Mark Paffard shows the anxieties Kipling as a conservative responds to in the early Indian stories to be very different from those caused by the economic and technological upheaval of the ‘Belle Epoque’, and those arising from the First World War. Paffard reveals how Kipling’s development as a writer is shaped by his need to respond differently to a changing world: imperialist ideology and conservatism dictate the stories that he sets out to write, and his imagination and sympathy shape the stories that are finally written..
出版日期Book 2023
关键词Fiction; Victorian Literature; Rudyard Kipling; Literature and Postcolonial Studies; Short Stories; Polit
版次1
doihttps://doi.org/10.1007/978-3-031-40220-3
isbn_softcover978-3-031-40222-7
isbn_ebook978-3-031-40220-3
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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,Early Indian Fiction (1888–1893) – Context and Background,lore in the next two chapters. A large number of these stories are briefly discussed in the contexts of British and Anglo-Indian (the British living in India) attitudes to Empire, and Race and Caste, as well as in the context of attitudes among Kipling’s contemporaries, the aesthetes and decadents in literary London.
发表于 2025-3-22 09:12:26 | 显示全部楼层
Soldiers in India,ospitable country. An overview of the range of stories is given, with close readings of ‘His Private Honour’, ‘Black Jack’ and ‘Love-o’-Women’. These stories illustrate the tension between Kipling’s desire to praise the army unreservedly and his understanding of a more complex reality.
发表于 2025-3-22 15:41:27 | 显示全部楼层
Kim,y element which enables a more affectionate and tolerant approach to the India he describes so well. . is both a boys’ adventure story and an imperialist fiction, but at the same time a deep exploration of mystical impulses in the characters of both the lama and Kim himself.
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Tony Hoare,Georg Struth,Jim Woodcock and ‘They’ defy any simple explanation of their origins. In each Kipling’s extraordinary imaginative gifts seem to undermine stable class-structures in the ‘Belle Epoque’ period of new anxieties, and his use in fiction of new technology (wireless, cinema, motor-car) adds to the sense of disturbance.
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Universities as Drivers of Social Innovation portrayal of a largely inauthentic and self-absorbed social world. ‘The Dog Hervey’ and ‘Mary Postgate’ are also deeply sympathetic portraits of women constrained and damaged by prevailing social codes.
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