Titlebook: Conrad and Masculinity; Andrew Michael Roberts Book 2000 Andrew Michael Roberts 2000 fiction.gender.women

adduction

,Masculinity, ‘Woman’ and Truth: ,hin which men’s knowledge circulates encourages the identification of the truth ‘beyond’, ultimate or unattainable truth, with the feminine. Jacques Derrida, summing up both the paradox and the logic of Nietzsche’s gendered epistemology, has commented on this incompatibility between representing and

superfluous

手铐

IRK

急急忙忙

AIL

Gender and the Disciplined Body: , resolute, dignified, restrained, inscrutable, knowledgeable in the ways of his adopted country yet indelibly English (., 47–8). This crucial Englishness, which initially seems to hold him apart from what is seen as the mad farce of South American politics, is presented as a bodily characteristic:

Cosmopolitan

Book 2000 film theory and literary theory, Roberts shows how Conrad‘s fiction, even as it reflects certain assumptions of its day about the role of men in society, offers striking insights into the instability of the ‘masculine‘. The book explores the relationship of masculinity with colonialism, modernity,

欺骗手段

Vision and the Economies of Empire and Masculinity: ,he top of her dress. Davidson, who has arrived just too late to avert the tragedy, stands by him:.This is only the culmination of a number of scenes in which Lena is presented as an aestheticized and sexualized object of contemplation:

FID

Book 2000ety, offers striking insights into the instability of the ‘masculine‘. The book explores the relationship of masculinity with colonialism, modernity, the visual and the body in a wide range of Conrad‘s major and lesser-known fiction.

个人长篇演说

en in society, offers striking insights into the instability of the ‘masculine‘. The book explores the relationship of masculinity with colonialism, modernity, the visual and the body in a wide range of Conrad‘s major and lesser-known fiction.978-1-349-39816-4978-0-230-28897-3