Titlebook: Conjuring Moments in African American Literature; Women, Spirit Work, Kameelah L. Martin Book 2012 The Editor(s) (if applicable) and The A

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uel traces her presence and function in twentieth-century literature through historical records, oral histories, blues music, and collections of African American folklore.978-1-349-44434-2978-1-137-33681-1

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Coda,hat reflected such a dynamic persona and these other ways of knowing that had been apparent to me since childhood yet for which I had no context. My fascination, in fact, fueled my desire to pursue higher education.

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,“Thou Shall Not Suffer a Witch to Live”, look into the social history of the word exposes the path by which women and spirit work became synonymous with malfeasance.. Although originally terms that were not gender specific, by the fourteenth century, . and . assumed a feminine identity that has since left an irreparable stain on such acti

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From Farce to Folk Hero, or a Twentieth-Century Revival of the Conjure Woman,n toward spirit work was easily transferred to syncretic African practices once they began to visibly take hold in North America. Most noted for their use in slave resistance, African-based spiritual practices were unable to salvage their reputation as the North American colonies grew toward nationh

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Troubling the Water,o her father’s religion, teaches Celie to theorize her own system of belief rather than suffocate under the weight of a constricting Christianity. Only after she fondles with the idea and renegotiates her own concept of the divine is Celie able to come to voice and action, defending herself against

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