Titlebook: Confronting Visuality in Multi-Ethnic Women’s Writing; Angela Laflen Book 2014 Angela Laflen 2014 culture.fiction.history of literature.Tr

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https://doi.org/10.1007/978-3-030-35687-3rature for its role in this process of erasure, suggesting that though “the major and championed characteristics of our national literature” are “responses to a dark, abiding, signing Africanist presence” (5), “in matters of race, silence and evasion have historically ruled literary discourse” (9).

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Topic: aMMP-8 Oral Fluid PoC Test,ng mall… they’re looking at deliverance from a hard way of life” (“Bobbie Ann Mason’s Border States”). Though Mason does not judge her characters, or readers, for being attracted to popular and consumer culture, she does seek to help them develop a critical perspective with which to evaluate the pos

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Hanna Heikenwälder,Susanne Rothfocus on American women’s graphic narratives.. This chapter focuses on ., arguing that Bechdel expands the range of women’s writing about visuality significantly by focusing attention on how we frame events and come to see them through the material artifacts of family, and on how issues of sexuality

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(Re)Visualizing History in Toni Morrison’s from her desire to “bear witness to the plight of African Americans” (Bouson 2), a plight that Morrison has described as “grotesque” (Jones and Vinson 181) and in graphic description as “my people are being devoured” (Morrison, “Language Must Not Sweat” 121). There is a tension also between Morrison

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Transforming Culture and Consciousness in Bobbie Ann Mason’s lity was markedly different from Morrison’s. While Morrison’s decision to “peck away at the condemning gaze” grew out of her observations about the ideological work images performed in communicating racism and sexism, Mason was prompted to explore the contemporary impact of popular media because she

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There Were Signs and I Missed Themusness throughout her writing. However, because Atwood’s vision of contemporary society is bleaker than the other writers’, the sense of danger associated with issues of visuality is exponentially greater in her work as is the sense of urgency she associates with writing. Indeed in a recent intervie