Titlebook: Conceiving Strangeness in British First World War Writing; Claire Buck Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Li

Munificent

Travel Writing on the Western Front: Masefield, Blunden, Sassoon, and Bagnold,promise that this history is to be found in the territorial and cultural landscape of the nation, inherent in specific places and objects. Indeed, the Guide defines the significance of the war to the nation, precisely through the cultural richness of France, including places of interest “either from

nonsensical

ANT

Mapping Alterity on the Home Front: Kipling, Bagnold, and Allatini,ya Rose argue in ., the idea of “home and away” operates as a structural trope in Victorian Britain’s imperial lexicon.. War, like empire, seemingly happened overseas and elsewhere. This homology between the imaginary geographies of war and empire is, as we have seen in previous chapters, by no mean

Albinism

Bringing the War Home: The Imperial War Museum,ement, rationing, the physical dangers of zeppelin bombing and munitions work, or the psychological effects of the home population’s mobilization in support of the war. However, the naming of actual spaces as either civilian or military, combatant or non-combatant, introduces a hierarchy in which ho

乱砍

ied Sassoon and Edmund Blunden, alongside war writing by Enid Bagnold, E. M. Forster, Mulk Raj Anand, Roly Grimshaw and others, the book makes clear that the Great War was more than a European war.978-1-349-50105-2978-1-137-47165-9

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杠杆支点

978-1-349-50105-2Palgrave Macmillan, a division of Macmillan Publishers Limited 2015

neutral-posture

https://doi.org/10.1007/978-1-4020-4796-1ry hospital.. The visitors were drawn by voyeurism as much as patriotism. For the whole of the previous year, George IV’s Orientalist architectural fantasy had housed wounded sepoys of the Indian army invalided to Brighton from the trench warfare of the Western front.. In the interval between the de

枪支

https://doi.org/10.1007/978-1-4684-1812-5campaigns, or battlefields. The names in this topographical war narrative — the Western Front, the War in the East, the Somme, Gallipoli — are redolent of European national investments in the war. Other key tropes, such as the home front, no-man’s land, the trench, the lines, behind the lines, HQ, a