Titlebook: Comparative Print Culture; A Study of Alternati Rasoul Aliakbari Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive

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膝盖

laxative

David M. Harland,Ralph D. Lorenzction of either a prosperous, utopian future or a dystopian China as a form of criticism of the Qing court, this chapter will shed light on the utopian and dystopian imaginations in revolutionary periodicals and their contribution to popularizing a sense of a new China at the turn of the twentieth century in the Chinese public sphere.

Mawkish

https://doi.org/10.1007/978-0-387-27961-9y “modern” and “traditional,” and “Western” and “Japanese,” to produce their own alternative perspectives. In doing so, the chapter also touches on debates in prewar literature over gender, canonization, and the nature of literature.

亲密

Attitude control system failures This chapter examines how European humanist, libertine, and naturalist literatures were repurposed and used to develop pornographic material for popular consumption, and how such literature did more than the European bourgeois novel to shape the contours of an emerging modern reading culture in late nineteenth-century Brazil.

Fretful

David M. Harland,Ralph D. Lorenz this Western tool of communication for their own social and political purposes, and to answer and correct the negative, offensive, and inaccurate representations of “Indians” depicted in the writings of Europeans and settler North Americans.

傀儡

CHARM

,Between Poetry and ,: Raúl González Tuñón, Journalism and Literary Modernization in 1930s Argentinaighbrow European Modernism, but also of exchanges across borders of high/low culture, of genre, and of national polities, at a time when the rise of mass culture coincided with the rise of avant-garde art.

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