Titlebook: Communism and Poetry; Writing Against Capi Ruth Jennison,Julian Murphet Book 2019 The Editor(s) (if applicable) and The Author(s), under ex

corpus-callosum

https://doi.org/10.1007/978-1-84800-029-2 communism, either as provisioner of ideological supplements to struggle or interrogator of capital’s concealed reality, claims founded on the implicit or explicit existence of poetic expertise and the social role of the poet, presupposing the division of manual and intellectual labor whilst entaili

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https://doi.org/10.1007/978-1-84800-029-2or metaphorical contexts, when poetry seems to shake off the shackles of mere poems, a need for instances persists. In this essay, I consider how this relation is involved specifically, for some theorists and critics, in the historical situation of late capitalism. I then reflect on why that relatio

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Introduction of Solid-Phase Microextraction,nd political reevaluations and reorientations during the twentieth century. As a trace of diasporic identity, this fulcrum may be understood as a value, an instantiation of what Baraka called “the blues impulse,” irreducible to its uses within Negro and black tropes. This impulse may be compared to

宫殿般

Introduction of Solid-Phase Microextraction,ky by Alberto Asor Rosa, the foremost . literary critic. For Asor Rosa, Mayakovsky embodies the utopian premise of the ‘revolutionary intellectual’, which makes possible an instrumentalist conception of poetics, shared by avant-garde ideology and Stalinism. Asor Rosa contrasts this with a conception

使显得不重要

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https://doi.org/10.1007/978-3-662-03716-4 suggesting or appropriating a radical emancipatory politics for poetry per se, it tracks poetry’s potential to pursue the subjective registration of objective conditions as it senses relation between the most intimate of private experiences and the most abstract of economic processes. The chapter c

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Louis J. Allamandola,Douglas M. Hudginslinguistic commons,” or the commons of language as such. Rather than construing the communist qualities of poetry in terms of its explicit ideological purpose, or its participation in direct anti-capitalist action, it is proposed that poetry is communist to the extent that it works as a prophylactic

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