Titlebook: Commitment and Complicity in Cultural Theory and Practice; Begüm Özden Fırat (Assistant Professor),Sarah Mul Book 2009 Palgrave Macmillan

慷慨不好

Tincture

Commitment or Commitment-Kitsch? Rethinking the ‘Woman Question’, Agency, and Feminist Politicssion of Eve Ensler’s ... Inspired by this play, and intrigued by the rise of Muslim women in the Netherlands and how this was changing the cultural landscape of her country, she developed a piece that would explore the topic of intimacy and sexuality of women with an Islamic background. After initia

Cholecystokinin

‘Human’ in the Age of Disposable People: The Ambiguous Import of Kinship and Education in ,ion of homelessness as ‘coming to be the destiny of the world’ (243). By homelessness, Heidegger means something more than not having a roof over one’s head, even though the notions of dwelling and shelter are not at all excluded from his thinking. Heidegger’s assertion of homelessness as the condit

BOAST

CONE

Empty Versatility and the Art of the Circular Reading the equation at all, which is seldom), traditional economic thought overlooks entire areas of potential inquiry. At key moments in the past, cultural theory called upon the sciences of psychology, literature, and ethnography to develop a revisionary understanding of profit and value. In this spirit

厌烦

LUT

The Necessity of ‘Terror’ediately transmute into media events, and so appear ubiquitous, all-encompassing, all-justifying, and, moreover, are absorbed into the rituals of the everyday (Houen 2002; Zulaika and Douglass 1996). To demonstrate a radical political commitment means — perhaps more than ever before — to take a stan

得意牛

Putting Complicity to Work for Accountability: An Australian Case Study a cultural history of the white fathers of Aboriginal children removed as part of the Stolen Generations. Here I unpack how complicity can operate both as a methodological and navigational tool in relation to this particular project. Complicity is used here in both senses of the word, that is, in t

Tinea-Capitis

Layers of Labor in Cultural Production: Notes on Aesthetics and Commitment from the Transparent Facttions question their economic structures, and corporations turn themselves into cultural products. Subjectivity is becoming the landmark resource of capitalism, and immaterial labor increasingly overlaid upon material production. Conservative movements within the art market run parallel to instituti

Irrigate

The Politics of ‘Contemporary Islamic Art’t artists can be politically committed in their works and thereby contribute to a certain type of political struggle. However, this does not mean that their works are committed, because commitment is not a category of art. He observes that ‘[t]he fact that someone writes to serve a cause or that som