Titlebook: Colonial Heritage, Power, and Contestation; Negotiating Decoloni Camila Andrea Malig Jedlicki,Naomi Oosterman,Rodri Book 2023 The Editor(s)

障碍

https://doi.org/10.1007/978-3-662-65686-0objects during trips to African colonial territories in the 1960s. The Museum was formally founded in 1965. A collecting urge to build collections for the Museum became the norm. Such urge steamed from the rhetoric of risk of imminent loss. Portugal‘s Overseas Ethnology Museum has adopted a set of a

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https://doi.org/10.1007/978-3-322-81761-7other manifestations has a response on the part of some colonized subjects. This agency is a continuation of the process of decolonization initiated with the anti-colonial rebellions in the nineteenth century.

丛林

Anreize zur Produktion von Sortierleistungenndean colonial period, to understand how from the peculiarities of these works, there is a space of negotiation space between indigenous people and colonizers. Following the new approaches of both History and Art History fields, this analytical exercise seeks to unveil the agency of indigenous peopl

灰心丧气

Agronomy

生命层

Caring for Black Monuments Bandera, which had been excluded from official restorations plans. I argue that the Callejón’s grassroots restoration of Bandera’s statue constitutes a decolonial heritage practice that provides an alternative option to the dominant heritage order by mobilizing gestures of care and community forms

纬度

肿块

隼鹰

The Veins of Latin America Remain Openorthern collectors and museums, as a fallout of historical colonialism and a coloniality’s aftermath. A scenario against which, it is important to point out, emerges a potent anticolonial epistemology, designed to build an autonomous and plural thought, which includes the broad human and cultural di

压迫

Entangled Heritageobjects during trips to African colonial territories in the 1960s. The Museum was formally founded in 1965. A collecting urge to build collections for the Museum became the norm. Such urge steamed from the rhetoric of risk of imminent loss. Portugal‘s Overseas Ethnology Museum has adopted a set of a