Titlebook: Colette; Diana Holmes Textbook 1991Latest edition Diana Holmes 1991 feminism.fiction.gender.novel.realism.women

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ontemporaries, reading the journalism and the fiction in terms of social and economic realism - and also studying the texts‘ subversive interrogation of gender as a question of narrative and linguistic technique. Colette emerges as a richly, radically feminist writer.

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Creative Contradictions,ove to Paris, it is not surprising that critics and biographers should have viewed this transition as crucial to the writer’s life and work. The dominant version of Colette’s life opposes childhood innocence to adult betrayals, a lost paradise to harsh reality, the pastoral world of a country childhood to the cultural, man-made world of the city.

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Green Sealing Wax: Language, Style and Gender, code, as “I”, “you” or “s/he”, is termed the “mirror stage”, and coincides with the establishment of specifically human identity. The Symbolic code operates by distinguishing between one thing and another, by the principle of difference, and in this process the original term, or the primary signifier, is the phallus.

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