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Titlebook: Coleridge as Poet and Religious Thinker; Inspiration and Reve David Jasper Book 1985 David Jasper 1985 Coleridge.England.English literature

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https://doi.org/10.1007/978-3-030-69373-2tten in the autumn of 1797, rather than the summer as Coleridge claims in his prose Preface to the poem. Yet the Preface itself, which has so profoundly influenced the way in which the poem has been understood, is much later, and it was published only in 1816. According to a note which Wordsworth di
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Carlos Pascal,Doru Pănescu,Cătălin Dosofteiopment. The miseries and creative decline recorded in ‘Dejection: An Ode’ hang over the early years of the period, reaching a climax with the demise of . and the break with Sara Hutchinson in the winter of 1810–11. On the other hand, it was the period of his most developed literary criticism, includ
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A. J. Joseph,K. Kruger,A. H. Bassonlly at home in the abstract world of spiritual Christianity into which he had thought himself by philosophical reflection and self-reflection. The poet, it might be said, failed to conjoin the necessary elements of ‘lofty and abstract truths’ with ‘impassioned feelings’.. Boulger’s comments, faithfu
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https://doi.org/10.1007/978-3-030-69373-2on by means of an external frame of reference. His devotion to Scripture arises from an appeal to the whole experience of man, the Bible received inasmuch as it . him ‘at greater depths’ of his being, bringing with it ‘an irresistible evidence of its having proceeded from the Holy Spirit’.. Revelati
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The Critical Prose,opment. The miseries and creative decline recorded in ‘Dejection: An Ode’ hang over the early years of the period, reaching a climax with the demise of . and the break with Sara Hutchinson in the winter of 1810–11. On the other hand, it was the period of his most developed literary criticism, includ
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