Titlebook: Class, Leisure and National Identity in British Children‘s Literature, 1918-1950; Hazel Sheeky Bird Book 2014 Palgrave Macmillan, a divisi

Omnipotent

Conclusion: A Disappearing Act,g turning 18 in the final book),. Ransome’s children become the stuff of legend. As Watson has it, ‘They have something in common with Jason, Odysseus, Lancelot and Robin Hood. Their business is to appear unexplained at the beginning of each narrative, and go adventuring into our imaginative lives.’

的事物

https://doi.org/10.1007/978-3-662-09755-7istinguish between the two. Both featured prominently in children’s books and as a result we see children’s literature overtly exploring the major issues and complexities that shaped British attitudes towards exploration and geography in the early twentieth century.

Epidural-Space

Introduction,, and every permutation in-between — hikers, campers, preservationists, charabanc excursionists, developers, simple lifers and armchair ruralists — fought both physically and in print to make their idea of the countryside the accepted one. Children’s literature was at the forefront of the literary s

Explosive

A Very Fuzzy Set-Defining Camping and Tramping Fiction,e as a ‘fuzzy set’ particularly useful, because it is an accommodating (and forgiving) way of approaching the subject. Rather than being focused on rigid boundaries, a generic fuzzy set is based around a core or centre; the further a book moves away from that centre, the fewer generic features it wi

FATAL

The Delights of the Open Road, Footloose and Fancy Free,entral to the genre’s exploration of issues concerning personal freedom and expression. While camping is essentially static, tramping is mobile. These different acts encapsulate two primary impulses that shape camping and tramping fiction. Rather than setting camping and tramping in simple oppositio

Geyser

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Fibrinogen

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