Titlebook: Class on Screen; The Global Working C Sarah Attfield Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to

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Intensivmedizinische Arbeitstechnikenss are provided along with a section regarding the importance of representation. The chapter contains a brief historical overview of working-class representation in cinema around the world and includes descriptions of the chapters to follow.

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原始

Matthias Kochanek,Guido Michels working-class subcultures such as Shane Meadow’s 2006 autobiographical film .. There is a discussion of the importance of subcultures in working-class culture, particularly music subcultures. The importance of sport in working-class communities is also featured, with a focus on films that centre on

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Organization

Sven Dittrich,Jörg Schirrmeisterng-class environments. There is an outline of some feminist film theory and an assertion that feminism works differently for working-class women compared to their middle- and upper-class counterparts. The chapter begins with a focus on Spanish filmmaker Pedro Almodóvar who is known as a maker of wom

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Repetitorium Kinder- und Jugendmedizino all examples of self-representation and therefore depart from some of the films included in previous chapters that are made by non-working-class filmmakers. Australian Indigenous films show how class intersects with race and include stories of racism, survival and resistance to colonial forces as

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