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Titlebook: Cities, Words and Images; From Poe to Scorsese Patrizia Lombardo Book 2003 Patrizia Lombardo 2003 David Lynch.film.Lost Highway

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发表于 2025-3-21 19:27:13 | 显示全部楼层 |阅读模式
书目名称Cities, Words and Images
副标题From Poe to Scorsese
编辑Patrizia Lombardo
视频videohttp://file.papertrans.cn/227/226708/226708.mp4
丛书名称Language, Discourse, Society
图书封面Titlebook: Cities, Words and Images; From Poe to Scorsese Patrizia Lombardo Book 2003 Patrizia Lombardo 2003 David Lynch.film.Lost Highway
描述The city is an essential theme of modernity in literature, architecture, photography and film. This book first focuses on ardent reactions to the metropolitan explosion in the nineteenth century, with Baudelaire and Poe as key figures. More recent representations of the city are then investigated, in Europe and the United States. Lombardo reflects on the way in which the changes in human perception created by urbanization are expressed in the various arts, in terms of form and content.
出版日期Book 2003
关键词David Lynch; film; Lost Highway
版次1
doihttps://doi.org/10.1057/9780230286696
isbn_softcover978-1-349-40206-9
isbn_ebook978-0-230-28669-6Series ISSN 2947-0188 Series E-ISSN 2947-0196
issn_series 2947-0188
copyrightPatrizia Lombardo 2003
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Van Gogh and Hofmannsthal: Colours and Silence,rucial questions in modern art: the interplay between the past and the present, the discrepancy between reality and language, and the attempt to express this very discrepancy through the link between literature and painting.
发表于 2025-3-22 02:39:31 | 显示全部楼层
Baudelaire, Haussmann, Fustel de Coulanges: The Modern Metropolis and the Ancient City,man who wanders day and night in London. The narrator tries to follow him, day after day, night after night: impossible to see him resting anywhere.. ‘The big city’s genius’ is continuously rushing, running, retracing his steps ‘with a mad energy’. To the narrator’s surprise, there is no rationale i
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Aldo Rossi: The White Walls of the City,hen happiness reaches its height that we would like to withdraw, regain our freedom, since ‘every moment that we become aware of things is coloured by the longing to be able to give them up’. . is the title that Aldo Rossi would have liked to give to his . (1981), a work published in English, in the
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Absence and Revelation: Photography as the Art of Nostalgia,ature; it is also cultural since it explores the impact of such media on the ways in which we live, think and act. In making such an assertion one has to mention Raymond Williams, one of the most important critics of our time, who from the 1950s to his death in 1988 worked to redefine the meaning of
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Martin Scorsese and the Rhythm of the Metropolis,ra in documentaries and in fictions, continuing the tradition of the literary works that represent people, events and feelings in a metropolitan environment. For a whole century urban landscapes have been coming and going on screens in no particular order and with no recognizable development or them
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978-1-349-40206-9Patrizia Lombardo 2003
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