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Titlebook: Latin American Readings for a Cultural Age; Latin American Readi Enrico Mario Santí Book 2005 Palgrave Macmillan, a division of Nature Amer

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1898: Narcissism and Melancholybehavior; that is, determining the manner in which metropolitan knowledge of the periphery becomes codified for its own discursive consumption. It is therefore within such a postcolonial grid that I wish to situate the following paradox, or at least this concern.
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Fernando Ortiz: Counterpoint and Transculturation, whose success in the Anglo-American academy, particularly its French and English Literature departments, seems all but assured, but whose spread to other cognate fields, like German, Russian, or indeed Spanish and Portuguese, has yet to parallel the same hold it enjoys on their Anglo and French counterparts.
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Book 2005ssays cover a wide range of topics in Latin American poetry, narrative, film, and intellectual history and also explore Spanish Peninsular subject-matter: the Spanish Generation of 98‘s response to Spain‘s loss of Cuba in the Spanish-American War of 1898. The essays are introduced by a long text in
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This Land of Prophets: Walt Whitman in Latin Americary of a sensibility.” While surveying the span of continental poetry from Sor Juana and Emily Dickinson to Alfonso Reyes and Robert Frost, the proposal did single out three names—Poe, Dario, and Whitman—as sundry cases split into two tendencies: one (Poe’s and Dario’s) universal or cosmopolitan, the
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Sor Juana, Octavio Paz, and Poetics of Restitutionession that Sor Juana invokes defiantly at the end of ., she falls defeated, but despite that defeat her last two major works still uplift us, her modern readers, with the moral strength to overcome those obstacles to which she succumbed while waging her embattled last years. Indeed, like Phaeton, f
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Through the Grapevine: Rulfo, Garro, and National Allegory work neatly in favor of encompassing all the identities that are in need of articulation. The other issue, allegory, which is rhetorical rather than historical, would seem to go to the heart of the restitutive will, in the sense that every allegorical interpretation, by its very definition and stru
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: Strawberry and Chocolate, ique of the Cuban State’s long-standing repression of gays; others saw it as manipulative, further proof of the regime s ongoing deception about its actual policies, particularly at a moment when it was attempting to win over allies abroad in order to resolve an economic and political crisis. The de
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https://doi.org/10.1057/9780230626607ry of a sensibility.” While surveying the span of continental poetry from Sor Juana and Emily Dickinson to Alfonso Reyes and Robert Frost, the proposal did single out three names—Poe, Dario, and Whitman—as sundry cases split into two tendencies: one (Poe’s and Dario’s) universal or cosmopolitan, the
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The Cases of Finland and Austriaession that Sor Juana invokes defiantly at the end of ., she falls defeated, but despite that defeat her last two major works still uplift us, her modern readers, with the moral strength to overcome those obstacles to which she succumbed while waging her embattled last years. Indeed, like Phaeton, f
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