Titlebook: Cinematic Intermedialities and Contemporary Holocaust Memory; Victoria Grace Walden Book 2019 The Editor(s) (if applicable) and The Author

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尖叫

Book 2019objects and bodies during the film experience. This work challenges the existing concentration on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory. .

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tion on representation in writing about Holocaust films, turning instead to the materials of screen works and the spectatorial experience to highlight the powerful contribution of the cinematic to Holocaust memory. .978-3-030-10877-9

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Cinematic Intermedialities and Contemporary Holocaust Memory978-3-030-10877-9

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https://doi.org/10.1007/3-540-34829-8ion of Holocaust memory. In the final section of the chapter, I then explain how we might think about Holocaust memory as something that can be produced by working through several ideas that have shaped recent developments in memory studies.

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Andrey Nechaev,Elena Ilina,Miaomiao Liive materials to perpetuate memory of the Holocaust. My discussion of . particularly highlights the archaeological nature of the film and how its desire to disrupt any previous meaning related to perpetrator-commissioned images can be a powerful tool for memory.

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