Titlebook: Cinema Anime; Critical Engagements Steven T. Brown Book 2006 Steven T. Brown 2006 culture.gender.identity.politics.Visual Culture

NOCT

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https://doi.org/10.1007/978-3-7908-2799-6eed, certain of Kon’s cinematic preoccupations, such as the fluctuating relation between performance and identity, the tension between the ideal and the real, and, above all, the very porous line between illusion and materiality, seem to be perfect candidates for exploration within the animated medium.

AMBI

“Excuse Me,Who Are You?”: Performance, the Gaze, and the Female in the Works of Kon Satoshieed, certain of Kon’s cinematic preoccupations, such as the fluctuating relation between performance and identity, the tension between the ideal and the real, and, above all, the very porous line between illusion and materiality, seem to be perfect candidates for exploration within the animated medium.

臭名昭著

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Book 2006distinction between ‘high‘ and ‘low‘ culture and offer compelling arguments for the value and importance of the study of animé and popular culture as a key link in the translation from the local to the global.

Fulminate

antle the distinction between ‘high‘ and ‘low‘ culture and offer compelling arguments for the value and importance of the study of animé and popular culture as a key link in the translation from the local to the global.978-0-230-60621-0978-1-4039-8308-4

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ossroads of transnational cultural production in the last twenty-five years. The essays offer bold and insightful engagement with animé‘s concerns with gender identity, anxieties about body mutation and technological monstrosity, and apocalyptic fantasies of the end of history. The contributors dism

残暴

Sam Hanna Bell and the Ideology of Place-vis its opposite—the wilderness, the unsophisticated provinces, or the suburbs, depending on the time period—and how changing visions of the city parallel changes in the way people conceptualize human embodiment.

和平主义者

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