Titlebook: Church and Patronage in 20th Century Britain; Walter Hussey and th Peter Webster Book 2017 The Editor(s) (if applicable) and The Author(s)

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https://doi.org/10.1007/978-3-8348-9491-5hael Tippett; and finally (in 1944), the sculpture . by Henry Moore. It examines, in particular, the critical and public reactions to each work, and shows that the debates that the Moore sculpture provoked went to the very heart of what religious art was, and what it was for.

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https://doi.org/10.1007/978-3-8348-9491-5Chaps. . and ., it examines both the making of the works and their reception, and argues that, whilst highly effective in their own right, the works, as a whole, strike a less radical note than the Northampton pair from 1944–1946.