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Titlebook: Christina Rossetti‘s Feminist Theology; Lynda Palazzo Book 2002 Palgrave Macmillan, a division of Macmillan Publishers Limited 2002 femini

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Bert Jenkins,D. B. Subedi,Kathy Jenkinsributions to the Portfolio Society, to whom she sent the forerunner of ., The Prince who arrived too late’. To Bessie Parker’s newly formed ., she also sent ‘Behold I stand at the door and knock’ and ‘A Royal Princess’, and was rewarded with a note in the journal on the publication of .. She is seen
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Julie Collins,Warlpa Kutjika Thompsonch similarity in their underlying theological understanding, and in it we can see Rossetti continue to construct her own theological models. As a development of the naming activity of the earlier volume, Rossetti takes biblical characters for development, choosing ‘the nineteen saints commemorated b
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Daniel Rothbart,Douglas Irvin-Ericksonmulation of her own methods of critical enquiry into the scriptures. In ., her last and perhaps most audacious volume, she found the Tractarian emphasis on emotional and imaginative freedom. particularly helpful in her need for a woman’s response to a ‘masculine’ text. Although the Tractarians were
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Comfort Women Toyomi Asano English2led ‘High Priestess of Pre-Raphaelitism’ and the ‘Jael who led their (Pre-Raphaelite) hosts to victory’.. Yet she remains remarkably true to the vision of many of her early poems: of . itself, but also of poems like ‘The Lowest Room’, or her early novel .. Sisters and friends share joys and sorrows
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2947-8448 ed call to celibacy led her to reject their notions of worldliness, and to form a closer bond with the physical world and the body.978-1-349-42446-7978-0-230-50467-7Series ISSN 2947-8448 Series E-ISSN 2947-8456
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Book 2002This volume disputes the assumption that Rossetti was a follower of Keble and Pusey, and shows how her dissatisfaction with the male-dominated call to celibacy led her to reject their notions of worldliness, and to form a closer bond with the physical world and the body.
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https://doi.org/10.1057/9780230504677feminism; theology; women; work
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From Paper to Online: Digitizing Card Based Co-creation of Games for Privacy Education,ative, co-located classroom work. Effective sketching and ideating tools, such as card-based workshop tools, cannot be applied in remote teaching..This paper explores how the paper-based card and playboard metaphor can be digitized for remote student co-creation via video call sessions. Therefore, a
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